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1. |
Acheron
06:17
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AND THE BANKS ARE FREE, THE CUNTS DESERVING
HOW THE WEAK THEY WAIL; THE PIMPS, PRETEND.
HOW THE WEEPING WORDS, AND THE LIES THEY TEND TO,
PRESERVE THE PEACE—ENJOY THE ENDING
AND THE LABOR’D BREATH
ALL THE SIGNS YOU SOLD YOUR SOUL
IT’S THE AGE-OLD DEATH
THE AGE-OLD BELL TOLL
AS IT LAYS ITS HANDS
ON THE SWEAT-FILLED BROWS
AND THE BLOOD-STAINED DIRT LEADS YOU TO THE SIN
THE EARTH THAT BIRTHED YOU
DYING AGAIN, THE EARTH INSIDE MY MIND
FEELING LIKE EVERYTHING I KNEW FOR TRUE WAS A LIE
AND THE ROAD IS PAVED FOR MILES WITH SOULS THAT DIDN’T LEARN
THE SUN UNDONE, A MEMORY FOR THE THINGS WE COULD HAVE DONE
AND THE SHORES ARE FULL
AWASH IN GREY
AS IT WRAPS THE MOUTH
IN A DEAD-END WAY
ALL THE GODS EMBARK ON THEIR FINAL CHORE
TO RAZE THE EARTH — THE FINAL ENCORE
AND THE LABORED BREATH
ALL THE LIES YOU TELL
IT’S THE AGE-OLD DEATH
THE AGE-OLD HELL
AS IT LAYS ITS HANDS
ON THE SWEAT-FILLED BROWS
AND THE BLOOD-STAINED DIRT LEADS YOU TO THE HOLE
THE SOUL THAT BORE YOU
LYING AGAIN, THE DIRT INSIDE MY MIND
FEELING LIKE EVERYTHING I KNEW FOR TRUE WAS A LIE
AND THE ROAD IS PAVED FOR MILES
WITH SOULS THAT DIDN’T LEARN
THE SUN UNDONE, A MEMORY FOR THE THINGS YOU COULD HAVE DONE
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2. |
Double Down
03:31
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SEE THE GHOST IN HIS BED IRREVERENT
THE SADNESS SAID AND GONE
ALL THE SAINTS OF HIS LIFE IRRELEVANT
WHAT IS LEFT OF THE CULT AND THE GUN
TO LOOK, TO GUESS, SOMEHOW, THE TEST WAS ALL IN VAIN
OUT LOUD, ALONE, TO PRESS THE PAST BESIDE THE PAIN
AND THE BLISS (AND THE BLISS)
THAT YOU FEEL (THAT YOU FEEL)
WHEN YOUR WORLD (WHEN YOUR WORLD)
ISN'T REAL (ISN'T REAL)
TAKES ITS TOLL (TAKES ITS TOLL)
ON THE MIND (ON THE MINDS)
OF THE SOUL (OF THE SOULS)
THAT YOU BIND (THAT YOU BLIND)
AND THE DOORS (AND THE DOORS)
FAIL TO HOLD (FAIL TO HOLD)
BACK THE SLAVES (BACK THE SLAVES)
THAT YOU SOLD (THAT YOU SOLD)
WHAT YOU SEE (DON'T EXPECT)
WHAT YOU LACK (THE ATTACK)
FEEL THE STING (FEEL THE KNIFE)
IN YOUR BACK (IN YOUR BACK)
DOUBLE DOWN (DOUBLE DOWN) X 15
DOUBLE
& THE WIND IS A SHADE OF ELEGANCE
AS IT WASHES THE PAIN AWAY
AND THE FAINT, PROTESTING VOICE
AS THE DAYLIGHT FADES TO GREY
AND WHEN THE PAST IS REAL IT CATCHES YOU AGAIN
JUST CLOSE YOUR EYES AND LET THE VAIN ORDEAL BEGIN
AND YOU WATCH (AND YOU WATCH)
AS IT FALLS (AS IT FALLS)
ALL THE WRONG (ALL THE WRONGS)
IT INVOLVED (IT INVOLVED)
AND THE DEATH (AND THE DEATH)
EATS YOUR HEART (EATS YOUR HEART)
YOU'RE THE SAINT (YOU'RE THE SIN)
FROM THE START (FROM THE START)
AND THE PEACE (AND THE PEACE)
THAT DEPARTS (THAT DEPARTS)
IN THE COLD IDEALS
AND THE HATE YOU EMBARKED
DOUBLE DOWN (DOUBLE DOWN)
DOUBLE DOWN (DOUBLE DOWN)
DOUBLE DOWN (DOUBLE DOWN)
DOUBLE DOWN
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3. |
Lethe
05:34
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DAYS GO BY - ALL MY VEINS ARE DRY
AND UNTIL - ALL MY THOUGHTS ARE STILL
THERE, INSIDE - EVERYTHING I FIND
STICKS AND STRINGS - PIECES OF MY MIND
AND OF ALL - IN THE WORLD TO LOSE
EVERYTHING - I WOULD EVER CHOOSE
(AND ALL I FIND IS LEFT BEHIND)
SERPENTS, SERPENTS ARE CRAWLIN
CRAWLIN IN MY MIND
CRAWLIN TO UNDO
FIND AND UNWIND YOU
FEELING LIKE I DO
FEELING LIKE
HELL WROUGHT - AND UPON THE SHORES
HOW SOUNDLESS - ARE THE EARTHEN MORES
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4. |
Homage
06:58
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This track is an interpretation of Hommage a Rameau, originally a composition for solo piano by Claude Debussy, written just over 100 years ago. Jean-Philippe Rameau was an 18th century French composer and music theorist.
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5. |
Dissolution
04:11
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says pilate | says the one | says the man who's standing next to me | says you can't | and you can't | says you can't | but you can't | you can't follow the thought | to the thought | to its end | in the end | and its end | at the end | is its end | turn the key | and the key | it's a clock | turn the clock | behind | it's behind | and beyond | it's beyond | the end | it's a trick | it's a trap | it's a lock | it's a trap | it's a smoke | for the death | for the death | that's come for me
all my hair and my clothes are gone
and beyond the end of time
is the
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6. |
Cerberus
04:15
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THE SILENCE OF MY COMMON FIENDS
SEEKS REVERENCE BY EVERY MEANS
CURSED, WORN, SHALLOW, TORN
AND THE OLD BRUSH BURNS BRIGHT
BACKWARDS, THE AGE-OLD SEA
FORWARDS, THE BECKONING WILES
FORGOTTEN TO THE REST OF ME
IN AREAS OF LIGHTS AND DARKS
THE GREYNESS OF OUR COMMON ARTS
WHAT
IT TAKES
HESITATES
AND THE OLD BRUSH BURNS BRIGHT
BACKWARDS, THE AGE-OLD SEA
FORWARDS, THE BECKONING MILES
FORGOTTEN TO WHAT’S LEFT OF ME
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7. |
Too Late
05:05
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v1
the stone vice
investigates
the starry night,
& my latent hates
my silence,
that psycho smell
indebted to
all my latent hells
stereo life, stereo sea
stereo mind, stereo me
my vice, my view
my life for you
come on, it's not like you really think
you could sever the body-link
too late to break through
too late to wait for you
seperate, we hold out for
bitter things, to give back more & more
it's too late for me
too late to be free
v2
intolerant
the secret seed
embedded wish
electric deed
head low,
I come to
sunlight's good for
the body, too
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8. |
Pitchforks
03:16
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who felt
when it
all changed
and saw the
frail things
decay
in their
own vice
and blame,
every thing
in scorn
and at
their height
drank deep
the draughts
of Lethe,
and fell
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9. |
The Center
06:03
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all along my windows
are phantom limbs
and the doors to limbo
are razor thin
all the ires of Enki
describe the fall
as the world around
ignores us all
the path that binds the soul
declines to lead at all now
the living and the dead
divided
and the depths of Lethe
have drowned the seeds
that dispell the nations
of our disease
and everything's a lie
the dead are all alive now
to fail to see the end
appended
the path that binds the dead
deceives us to the end
to try to lead at all
appeases to the led
& everything's a lie
the dead are all alive now
the feasting of the ayes
ascended
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elitefitrea Austin, Texas
HAUNTING, MEASURED, AND UNFATHOMABLY DARK // ELECTRIC GRUNGE & POST-INDUSTRIAL
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